Everyone who knows me knows I am the biggest Chicago advocate ever. I love my city, I’ll probably never live anywhere else. However, despite Chicago’s rich and illustrious relationship with electronic music, we’ve been subject to some pretty unfair legislation, including the much disputed “anti-rave” law of the 90s. A lot of us are now feeling backed into a corner all over again with our city council trying to pass a controversial promoter law. If you’re in Chicago, please try and get involved…if you’re not, voice your opinion regardless. The entire piece is below, but you can access the original page here.

Taken from the Sun Times’ blog:

The city tries again to legislate Clubland — without any input from the music community

With nary a word of public notice — and with no public hearings seeking input from the Chicago music community — the City Council Committee on License and Consumer Protection was set to meet again today in its rush to push through a new “promoters’ ordinance” initially proposed last year and only delayed at the last minute when music activists caught wind.

Like most laws, this one has a noble goal: to regulate concerts and dance events in Chicago, rooting out illegitimate “underground” promoters operating without proper licensing and therefore possibly endangering music lovers. Like many laws drafted from only one perspective, however, this one could cause serious, perhaps unintended consequences for people who try to promote live music here.

Of course, the city already has myriad laws on the books dictating proper licensing and safety codes for concerts and clubs — not the least of which is the controversial “anti-rave ordinance” passed in the ’90s, which came on top of police, fire, city building and health department oversight and the always acute watch of aldermen and neighborhood groups.

But suddenly, city officials — chief among them committee chair Ald. Eugene Schulter and acting director of the Department of Business Affairs and Licensing Mary Lou Eisenhauer — have an urgent need to create an entirely separate part of the city code tightening the reigns on promoters even more. And this need is so urgent that little effort was made to seek any input from the promoters or the people who work with them.

If approved by the committee and the City Council, the law would require anyone promoting any event drawing more than 100 people to obtain a license — even if they are working with a well-established and already licensed promoter.

Licensees would also have to carry at least $300,000 in commercial liability insurance (even if the venue is insured), and they would have to be at least 21 years old (thereby ruling out enterprising college students, D.I.Y. punk fans and other budding young entrepreneurs from hosting a concert or a legal rave — and if you think that’s not a good idea, you should know that several of the top promoters in Chicago actually started their careers at age 18 or 19).

What all this means is that if, say, a local fanzine wanted to promote a monthly concert featuring the bands in its new issue at a well-established local club of 200 capacity, the editors would have to apply for a promoters’ license and meet all of the requirements and expenses, even if the club already has a license and can boast of a clean record of trouble-free events. The same would hold true of many regular benefit gigs.

As it now stands, the law would only allow venues with “fixed seating” — that is to say, chairs that can’t be removed — to host one-time events by unlicensed promoters like our magazine or benefit in the example above. This requirement rules out the exact sort of clubs that would most benefit from these events, including venues such as the Empty Bottle, Buddy Guy’s Legends and Metro.

One music activist who asked not to be named said that “the net impact of this law is simple: It’s going to make it harder for a lot of people to promote concerts in Chicago, and therefore there’s going to be less music in Chicago.”

Stay tuned for more as friends of the local music scene mobilize in an effort to make themselves heard at City Hall.

May 04
See? I’m Not Full Of Crap Posted by admin

Ok, so it’s a couple days later than when I promised, but the announcement for my new partner in crime has finally arrived. Her name is Marea, a.k.a. The Lady Foursquare, a.k.a. part of Noise Floor Crew, the group that’s been making waves lately with their Portishead remixes. She has been quite busy lately, recently signed to DJ Pierre’s Afro-Acid label and was just involved in the “No Love Lost Mixtape Project” alongside artists such as The Toxic Avenger and The Bloody Beetroots. Marea is also a part of the Dust Traxx record company here in Chicago and I’m so excited to have someone else on board who is not only going to rep Chicago with me, but is another busy woman active within the industry. Plus, the woman has wicked tattoos and I’m admittedly too much of a pussy to get one, even though I love the way they look.

Coincidentally, I just finished an article for TimeOut Chicago profiling Dust Traxx and interviewed Marea (and founder Radek) for it. It’s in this week’s issue, so the print version unfortunately goes out of circulation today, but the piece is also up online. View it here.

Please join me in welcoming Marea into the fold!


Art Of Noise: Beatbox (Lady Foursquare Remix)
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Lady Foursquare: Rebel Without Applause
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Portishead: Machine Gun (Noise Floor Crew Remix)
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May 01
Mega Post Time #2 Posted by admin

Ah yes, my schedule continues to put me in a position of mega posts as the craziness continues with my condo! There is good news though (aside, of course, from the goodies below). There will be an announcement later today about the addition to the team - a lovely lady who, like me, tries to be incredibly active in our little industry. She’s a force!

Coming your way now is…good god…another House Moguls rework. These guys are putting their touch on every classic rave tune I remember from my days at the Harvey, Dolton…well, you Chicagoans will get the references. I would love to see them do a House Moguls mix of Triple X’s “Feel The Same,” some Madison Avenue or maybe Modjo’s “Lady.” Now I’m getting all misty-eyed, great. Actually, damn, put some suggestions in the comments on what classic you would like to see them edit next and I’ll send the nominations in to them.


Spiller: Groovejet (If This Ain’t Love) (House Moguls Rework 2008)
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Next, the latest installment of the Future Disco Project. Brought to life by FutureFlashs (a.k.a. Nike de Vries) from Hamburg, is a gorgeous, fifty minute journey exploring retro 70s and 80s sounds reinvented by contemporary electronic artists. The result is a meeting of organic and synthetic as artists like Puzique and Lifelike weave a dream-like audioscape to get lost in.


Future Disco Volume 5
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Tracklisting:
1. Chromeo – Fancy Footwork (Russ Chimes Remix)
2. The Lowbrows – Dream in the Desert
3. Futurecop! – N.A.S.A. (Cryptonites Remix)
4. Melomanics – DAF (Blokgolf Remix)
5. Bag Raiders – Fun Punch (Calling In Sick Remix)
6. Sidechains – Waiting so long
7. Ben Mono – Jesus was a B-Boy (Moulinex Remix) (exclusive Track!)
8. Xinobi – Day Off
9. Futurecop! – Class of 1984 (80Kidz Remix)
10. Sebastien Tellier – Divine (Danger Remix)
11. I-Robots – Frau (Puzique Remix)
12. The Presets – This Boys in Love (Zombie Nation Remix)
13. Does it Offend You, Yeah? – Epic last Song (Lifelike Remix)
14. Keenhouse – Deep in the Forest

Designer Drugs sent me a new track last night that they’ve been working on….and oh how perfect it is. The original, by Fake Shark Real Zombie is named “Designer Drugs.” Yeah, I think they had to go ahead and work on that one. For those of you who aren’t familiar with Designer Drugs yet, the duo from New York has been capturing the ears of bloggers for some time now, and has lead up to their recent signing with Kitsune. Don’t let the intro of this remix fool you, it might begin with some benign poppy ascending basslines, but the heavy hits about two minutes in.


Fake Shark Real Zombie: Designer Drugs (Designer Drugs Remix)
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Lastly, blog FuckThatWorld.com just put together a compilation of ten electro, nu-rave, big beat tunes all ready for download. One in particular stood out to me, a tune by Dany Gold, an artist out of France who has….absolutely no information about him on his Myspace. Well, enjoy the angry synths in “Choco” anyway!


Dany Gold: Choco
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Apr 24
Cryptonites Remix Contest Posted by admin

The Cryptonites are from Switzerland, and I don’t know much about them other than bloggers have been steadily taking a shine to them with each progressive release. They are now hosting a remix contest for their tune “Can’t Give You Up” and although they can’t officially release it due to an uncleared Prince sample in the original, they are going to choose the best five remixes and spread them across the blogosphere. Send all your submissions to cryptonites@hotmail.com by June 2nd, 2008. Have fun! Who knows, the duo might also find some talent to put on their “Destruction Music” label later on down the line…


Cryptonites: Can’t Give You Up
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Cryptonites: Can’t Give You Up (Geometri Remix)
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Download the parts here

Apr 22
New URB Bits N’ Pieces Posted by admin

Took me a while to get around to this one - the April issue of URB has quite a few pieces in it by me - yay! This was the Next 100 Issue - my selects were The Glamour, Bass By The Pound/Lava Lounge, Sinden and Snowden. I also did a nice little interview with RCRD LBL out of New York. Read below and enjoy! Should be in the habit of putting up some tracks again in the near future ;-) It’s been a tough couple of months!! Work on my new label has been very taxing and of course, condo construction woes have me up in arms over misquotes and time crunches. Enough with that though! My pieces below are marked by a starburst shape on each page.

The teaser Tittsworth interview I posted on Kissatlanta.com is now up in entirety at URB.com! You can access it directly from the main page, or there is a direct link here. In addition to reading about Tittsworth’s nasty adventure eating habits, find out what his worst hotel experience was and what to expect from his upcoming album.

By the way…we all know our man has a sense of humor. Being the involved citizen he is, he tried to do a little research when the pope was coming through his city. Here’s a screenshot he sent me when he entered “pope” on Thesaurus.com. Blasphemy!

I have five tickets to give away to the fantabulous (yes, I know, shoot me for saying that) show happening this Wednesday at Chicago’s Metro (above Smartbar). The lineup is ridiculous (or following the above trend, let’s say redonkulous) and features:


Here’s how you get the tickets - send in to dani@danideahl.com (or paste in the comments) your best photo playing off the tour’s name of “Screaming Bloody Murder.”
THE DEADLINE IS NOON ON WEDNESDAY, APRIL 16TH. WINNERS WILL BE NOTIFIED VIA EMAIL.

The best two will each get two tickets while a runner up will get one. For those of you who will be buying tickets, it’s $15 bucks. You can buy them night of, or at the store to the left of Metro. Oh, and here’s a nice plus, Metro is an 18+ venue.

$15, April 16th, show starts at 8pm, Metro is at 3730 N. Clark. See y’all there!


Boys Noize: Oh (A-Trak Remix)
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The Count & Sinden: Beeper (A-Trak Remix)
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Simian Mobile Disco: Hustler (A-Trak Remix)
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The Count & Sinden Feat. Kid Sister: Beeper
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——————————————

SUBMISSIONS

By user Black Sunshine
By user Jules
By user Mike P
By user Jackson
By user Computer Band
By user Janet

Hey guys, I know I’ve been absent for a little bit - things have been nuts (pray you never have to rehab a condo), especially with the impending details of my label coming up…man I want to spill the beans. In any case, I promise I will be posting some music later today. In the meantime, let’s hear some of your woeful DJ tales. TimeOut Chicago, one of the publications I write for, is doing a feature on your worst gigs ever:

“Remember the time when the promoter ran off with the money, the opening DJ broke both turntables and some crazy person kept stalking you all night?

Doing a little story on worst DJ gigs ever—either on tour or in our fair Chicago—but local stories are probably better. I’d love to quote you on your worst night behind the decks—when either the promoter, the club, the crowd, the mixer, another DJ, or just all around bad mojo caught up with you. The more colorful and freaky, the better.”

Submit them in the comments below and I will forward the best ones on to TimeOut! Here is my story that will be included:

“My first gig in Mexico was at an amazing club in Cancun right on the strip - very high profile with clientele to match. Needless to say, I was thrilled and flew in a couple days early with friends to relax and take in the sights. The day of the gig I requested that we get a ride to see the Tulum ruins and the promoter provided us with two friends who would be at our disposal for the afternoon. We headed out, loving the scenery and the weather when all of a sudden, we heard sirens behind us. The Federalis pulled us over, made us all get out of the car and had the promoter unlock the trunk. It was a thinly veiled shakedown since they didn’t ask for ID from anyone and the promoter’s friend buckled under the pressure, asking for us to be let go while showing the officers the flyer with my event on it! They took one look, then asked to search through our belongings, going through our backpacks and then the car itself, emerging with a bag of drugs that obviously didn’t belong to us. I thought the promoter’s friend was about to faint. What was the price of letting us go now? One thousand dollars cash per person. Of course we didn’t have that kind of money on us, so we were driven back to the police station and guarded while the promoter negotiated with the Feds. We were eventually let go, but at a price. The officers were given $500 cash and promised half the money at the door of the club that night.”

Top that bitches!

Dani Deahl plays Crobar on SATURDAY, APRIL 12TH for House Divas 2008 with DJ Irene and Adrie Marie! Avoid the $20 cover at Crobar by RSVP’ing to dani@danideahl.com. Include your full name and address and the first twenty requests will get tickets mailed to them for this event. Don’t miss Dani at Chicago’s most renowned venue - mark your calendar for House Divas 2008!
CROBAR: 1543 N. KINGSBURY, CHICAGO

www.crobar.com

Mar 22
WMC Is Almost Upon Us! Posted by admin

Yes yes, I know you all are probably SXSW fans over WMC, but WMC is still my domain and I will be there all freaking six days, from Tuesday to Sunday…good lord. One nice thing about going and working for several publications though is that you get an automatic in to most events. URB this year will be using Twitter to update the URB.com blog live throughout the entire week, so I will direct you guys there as my reviews start to go up.

On another *gulp* note…I have to interview Tommy Lee while I’m down in Miami. For those of you who don’t know, he has started a new group with DJ Aero and Deadmau5 called WTF which will officially debut at WMC. I want to hate it, really, but the tracks are great. However, I’m assuming those of you in the industry will want to read something with Tommy addressing his place within electronic music rather than just speaking on how great it is he’s doing something different. If you have any questions you’d like for me to ask Tommy Lee, leave them in the comments below. In the meantime, here are three debut tracks from WTF:

LISTEN TO WTF HERE

Also, following up from the other night at the JUSTICE AFTERPARTY….oh my…what an event. It was slammed at Debonair Social Club and myself and Joe Vortech got to play to a packed dancefloor that was already primed from witnessing the beast that is Justice. Here were some of the highlight tunes that got everyone in a tizzy:


Luke & Angello: Be (Toru S. 2008 Rebootleg)
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Kid Cudi: Day N Nite (Crookers Remix)
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Ghostface Killah: Charlie Brown (Yuksek Remix)
Download


The Kills: Cheap And Cheerful (Nite Cells Bored Robot Remix)
Download

After we closed the place down I headed over to Smartbar to see the Bloody Beetroots and The Glamour. Caught the tail end of the BB’s set and then went backstage with them and James Amato (music director of Smartbar and head of Potty Mouth Records) to hang and ask them a few questions. Unfortunately, the plans were thwarted, due to two groupies who were drunkenly hanging over their every word. This was the highlight of the evening:

Bobby (from BB - said in amazing thick Italian accent): Ok, now you girls have to teach us English.

Drunken girl (said while leaning over and trying to look seductive): In America, the only word you need to know…is sex.

Really? You said that? If any of you live in Chicago, that gem will be in the “Heard On The Street” section of this coming week’s TimeOut. Also, there is word that they will be coming back to Chicago again (to Smartbar) in the near future, so if you missed them this time around, have no fear.


Bloody Beetroots: Public Enemy Remix
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Goose: Everybody (Bloody Beetroots Remix)
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